When she was a year old, in 1974, Kelly O’Dell’s family moved from Seattle to the Big Island of Hawai’i. Living in one of the most culturally and biologically diverse regions in the world, Kelly grew up in an actively erupting volcanic paradise struggling with a legacy of colonialism. Her childhood steeped in endless summer, she swam with glass-bottom boats and dove for coins tossed by their tourists. Kelly’s parents had an art studio in Kealakekua-Kona, and made their living using stained glass, blown glass, and pressed flowers. With interests in Oceanography, Astronomy and Math, Kelly chose Glass as her primary focus at the University of Hawai’i at Manoa. The program offered her many opportunities to study and work at Pilchuck Glass School in Stanwood, WA, and she eventually relocated there as a member of the William Morris Winter Crew. Influenced by this talented team of artists and by her island upbringing, O’Dell’s work mainly examines species extinction and conservation, and human impact on the natural world. Kelly has taught glassmaking at Pilchuck Glass School, Pratt Fine Arts, Penland School of Craft, Niijima Glass Center (Japan), The Royal Danish Academy (Bornholm), and at Pittsburgh Glass Center. She has recently returned to island life, residing on Lopez Island, WA with her husband, glass artist Raven Skyriver and their 13 year-old son Wren, who sometimes dabbles in glassmaking.
Recent solo exhibitions include the Museum of Northwest Art and the Pittsburgh Glass Center. Recent group exhibitions include the Wadsworth Atheneum, the Whatcom Museum, Tacoma Museum of Glass, the Fuller Craft Museum, and The Glasmuseum Lette of Coesfeld, Germany.
Collections include the Tacoma Museum of Glass Permanent Collection, the Kamm Teapot Foundation, the Washington State Art Collection, the Robert M. Minkoff Foundation, the Glasmuseum Lette Collection, The Henry Ford, and the Fort Wayne Museum of Art.